Green Screen LA Technology

By Phillip Guye

Were you ever interested in how special effects in pictures are made? How do filmmakers recreate the paranormal world of Hogwarts or conjure an ancient earth? How do filmmakers mix CGI with real life action shots? All of these film wonders have been made feasible by the green screen. It is also known as chroma key, blue screen, and color separation overlay ( CSO ). Without the green screen LA technology, which is utilized in studios all around the great town of Los Angeles ( Chroma Key technology ) many memorable films wouldn't be made. Moviegoers will be stuck with uninteresting flicks with poor, small, or no visual effects at all . Without the chroma key, many possibilities in movie-making would still be in the dreams and imaginations of filmmakers.

These screens works by putting 2 pictures together. The solid background color is replaced by an exact background that will be seen in the final cut of the motion picture. Way back then, in the 1930's, blue was the colour of choice among filmmakers. After this, it was also used in many Technicolor films. One of the first pictures that made use of the chroma key was the screen adaptation of Ernest Hemingway's favored short story, "The Old Man and the Sea." The rest is history. More films were made with the help of chroma key technology. It eventually spawned many cinematic breakthroughs that made film making what it is in the modern day. For example, the Chroma Key screen is not used solely for changing backgrounds. Scenes are shot behind the screen so that it would be straightforward to add visual effects such as CGI.

For instance, in the film Lord of the Rings, the actor who played Gollum wore a body suit that was a similar color of the Chroma Key screen. Sensors were attached to the suit to keep control of his movements. The CGI rendering of Gollum's character is then put over the green suit, and the sensors make it appear like a real live creature is moving. Then, an actual background is added to replace the green screen. All in all, the Lord of the Rings universe was made by CGI and the green screen!

The employment of the screen became popular when advanced film making equipment were created and developed. Rather than blue, green became the new color of choice because it is far easier to manipulate. It doesn't need complex lighting, it creates less sound, and it makes clear lines which makes it simpler to work with in post-production. This is the reason why today, green screen LA technology is the fave tool of many filmmakers and is utilized in studios all across the city of Los Angeles.

Although giant movie studios and production homes are famous for making use of green screen LA technology, it is actually simpler to access than folks think it is. Even filmmakers on the cheap can make their own screens. With the correct materials, creativity, resourcefulness, and guts, anyone who needs to make a decent motion picture can make a DIY green screen. Now, big budget films can now be duplicated by anyone who has a creative mind. Any studio materials or rentals you need can be easily found in L.A. - 23806

About the Author:

There are a lot of other websites offering different forms of advice on how to use green screen but a lot of them are not very specific or precise. Before following these, be sure to check my own articles and reviews on Green Screen LA and Green Screen, additionally, you can reach me at phillipguy@hotmail.com or 1-323-851-3825

White Cyc Studios: Incredible Technology

By Phil Guye

White cyc is an individual element used to build a cyclorama that encircles the stage. All the changes in technology have done tiny to switch the way in which the cyc is lighted over time. All the new technology has increased the importance of correct lighting, and using the right kind of material for the white cyc.

What technology has done is take century old technology and make its use necessary for making virtual backgrounds for virtual and computer effects for the up and coming flood of films, and diverse video applications conditional on PC systems requiring faultless virtual backgrounds that may only be created in white cyc studios. White cyc studios technology dates back to nineteenth century German Theaters and has bounced round the entertainment industry for a long time. White wall surface was use for early twentieth century Broadway plays and finally ended up in Hollywood use for creating computer effects.

The white cyc is an extraordinarily helpful tool when it comes to lighting the white surface stage set. The white cyc provides the lighting designer with an abounded number of lighting chances for staging the specified computer effects scene. The white cyc with correct lighting will draw the viewers focus to the subject that the producer wants to show off. This is the major advantage of white surface backgrounds, and the reason white cyc studios are used for TV commercials, stories programs, music videos, dance routines, and other sorts of film media. White is used for the color of the cyc as it leaves the background void so a new background with the desired effect can replace it. The void background is excellent for digital fashion photography enhancing the model's appearance and keeping total focus on the model.

The one or more white cyc studios technology walls can be painted green to mix green screen effects in the white cyclorama flats. This works because the cyc is void of background permitting for the green screen background effect to show up in the place of the white cyclorama background. Using the cyc reinforces the green screen effect by giving it illusions depth and infinite space. Robert Rodriguez exploited a methodology similar when he was filming Sin City when he uses his 1956 Chevy Panel lorry in the film. He places his truck on a platform and films it from all different camera angles. The actors were filmed in front of a green screen background and were composite in the truck film to seem to be inside the van. In reality the actors never were in the wagon during filming. With the enlarging number of computer effects in flicks and TV programs today cyc lighting is terribly essential in making special visual effects.

Film producers have questions about using white cyclorama studios for computer effects. The producer's doubts are quickly dismissed with clear experience of what the cyclorama studios can do when they experience the results from the production lofts. Another use for white cyc studios technology backgrounds is on talk shows when music groups stop by to play one of their new music pieces. The white surface provides the perfect area for making a quick music environment. - 23806

About the Author:

There are so many other sites giving various forms of advice on how to use White Cyc but most of them are not very specific or concise. Before following these, make sure to check my own articles and reviews on White Cyc Studios and White Cyc Rentals, You can also reach me at 1-323-851-3825 or phillipguy@hotmail.com

Finding the Affordable Type - Green Screen Tips

By Phillip Guye

It is always advisable to look for Green Screen Tips when it comes to securing a place in the movie industry. The issue of affordability comes into play every time you need to secure a high quality screen for your film shooting. Buying a green screen or (chroma key screen) can be expensive and building them on your own can be knackering. So, how do you decide the way to cheap screens? This is the topic debated in this post.

There's one thing that you need to first consider when employing the employment of chroma key screens. Chroma key screens are usually available in studios where the film shooting occurs. This is where you've got to pat lease charges that they might turn out to be exceedingly pricey. Therefore, you should have great knowledge and use good Green Screen Tips so that you can secure the screens at a great cost. The first green screen tips is to consider the studio. Many studios had different developments in the bizz. This is why their prices will vary when it comes to renting chroma key screens from them. It's also always advisable to think about the studio costs. Compare them totally so that you get the best screen at a fair cost.

The second green screen tips is the component of going for less popular studios. It is mostly terribly costly to secure services at a well-known studio. These studios have just established a name for themselves. Therefore, they already have a high competition of people looking for their services in film shooting. As a result, you should gamble with the less well-liked studios. They also have chroma key screens that you may use in shooting your film. However, they are massively cheaper because they are simply attempting to make a name for themselves and make people accept that they can create quality productions. Therefore it's wise to look for such studios and take advantage of the lower costs.

The third of the green screen tips is using net services to find top quality screens at cheap studios. This is a good way to lease chroma key screens because internet sites have an opportunity to supply a discount. You can find the most acceptable deals online for your video production, and searching online for rentals should definitely not be discounted. There are so many sites that you are bound to discover a good offer. You just need a P. C. and a network connection!

What you have got to be sure of is that the quality of the chroma key technology in your film production is always high whatever the affordability. Thus, always keep the Green Screen Tips in mind so that you are able to make a great production at reasonable costs. - 23806

About the Author:

There are so many other sites giving various forms of advice on how to use green screen but most of them are not very detailed or concise. Before following these, be sure to check my own articles and reviews on Green Screen Tips and Green Screen, additionally, you can reach me at phillipguy@hotmail.com or 1-323-851-3825

Green Screen LA - Reach for the Sky

By Phillip Guye

Many films that are filmed in los angeles would not be possible without assistance from the green screen. How else would Godzilla stomp through New York? How could imaginary universes such as the one in Star Trek be possible? How could a motion picture look like a graphic novel so accurately? Despite how pretty a city LA is, L.A. Filmmakers can't just create settings that look as if they came straight from comic books or the minds of the most imaginative film makers in just a snap of a finger. In short , without the green screen LA ( a term coined from the prevalent use of these sort of screens in LA studios ) technology that many studios in los angeles have adopted as the only way to develop special effects, our movie-watching experiences will have a large amount of limits. Thankfully , LA film makers have actually discovered the joys of these screens and it's technology is here to stay.

The chroma key methodology is all about mixing 2 different pictures with each other. The foreground is retained while the background is replaced with another image. This is exactly why the background used must be a solid color. It makes it easy for L.A. Film makers and visual effects technicians to replace it with a different picture. Today, the most popular background color employed in the numerous studios scattered around L. A. is green. This is because light is attuned to this color, so meticulous lighting isn't obligatory anymore. It also produces less noise and clean lines.

A good example that makes use of the screen is the up to date smash flick "300." Shot wholly in a motion picture studio in L. A. , the film relies heavily on visible effects to recreate the atmosphere and feel of Sparta right in the middle of L.A. Another thing the filmmakers considered is the look of the film. It had to are like the exact graphic novel. This wouldn't be possible without the screen. In this movie, the actors were shot in front of the green screen. Finishing touches were added in post production. The background images used were all created with aid from assorted special effects like CGI. The film looked like a cohesive whole, even though layers and layers of elements were used to come up with the final product. This would not be possible without the this type of technology that L.A. Film makers have really harnessed to it's maximum capacity.

For green screen LA technology to work, there are some really important factors to be considered. First, though in depth lighting isn't needed, there is not any excuse to use substandard lighting. Only the best cameras and lights should be used when filming using a screen. Also, it is essential to avoid casting shadows on the screen. This will be a blemish that'll be difficult to retouch. Keep in mind that the use of a green screen is to have minimum work. Not using the screen the proper way will certainly defeat the point of ever using it.

The green screen is a versatile tool. For filmmakers in los angeles and all over the globe, it aids them to create or even recreate the most engaging settings right in the middle of L.A. It is also a very important tool for photographers as it permits them to make more refinements to their footage. Green screen LA technology is definitely a terribly handy tool in the flick industry. It makes the very unlikely possible and brings what we will be able to only dare to imagine to life. Green screen rentals and materials can be discovered all around the city of los angeles. - 23806

About the Author:

There are so many other websites giving different forms of advice on how to use green screen but most of them are not very specific or precise. Before following these, make sure to check my own articles and reviews on Green Screen LA and Green Screen, You can also reach me at 1-323-851-3825 or phillipguy@hotmail.com

Gibson Les Paul Standard Review - Are the New Changes Worth It?

By R. S. Rasnick

The Gibson Les Paul is a part of music history, to say the least. Ever since the 1950's, the Les Paul has been well-known for its recognizable shape and the strong, thick sound. Through the years, though, several particulars (from the neck specifications to the pickups) have varied.

The last major round of alterations made to the Les Paul Standard took place in 2008. Some of the modifications have received good reviews while others have not. We'll take a look at the particulars and let you decide for yourself.

Here's a rundown on the changes Gibson implemented. The new Les Paul Standard now includes Strap Locks (Dunlop), chambered body, Grover Locking Tuners, TonePros bridge/tailpiece, Neutrick output jack, and a setup via Plek. If you're familiar with Les Pauls, you'll instantly observe the lighter weight, because of the chambered body.

You might think that the modification in the body type could result in loss of sustain or tone, but that's just not the case here. It has a balanced, thick tone that you'd expect from a Gibson Les Paul. One thing's for sure, and it's that the light weight will make the guitar much more "gigable," since Les Pauls have been traditionally back-breakers.

We were delighted to see some of the hardware upgrades, particularly the TonePros bridge and tailpiece. Similarly, the Plek'd setup resulted in a very playable and terrific sounding guitar literally out of the box.

As you might expect, we did have to set the truss rod, but that's standard fare for an instrument delivered by UPS (or any carrier for that matter). Even without the truss rod tweak, we could've easily taken this guitar to a gig and played with nary a problem.

The finish on the revised Standard is as terrific as ever. We went over a Heritage Cherry Sunburst finish that had just a stunning flame. We found no blemishes in either finish or fit, and the fret dressing and setup was as nice as we've ever seen from a production guitar. Gibson also chose to omit the pickguard from this model, though you could easily install one if you miss it. The pickguard is included, however.

The neck profile has also undergone a transformation. It now has an asymmetrical profile, which is thicker on the bass side and thinner on the treble. Though it sounds a bit odd, the end result is a good one: enhanced playability.

It's sort of a cross between a 50's profile and a 60's profile, but in one guitar. We don't know if we should thank Gibson or Plex, but the fretwork was the finest we've seen from a stock Gibson, as was the setup.

Since the Gibson/Marshall combo is so time-honored, I resolved to test the new Gibson Les Paul Standard with a JCM 800 half-stack. While it's decidedly hip, the chambered body does add something of a 335-type sound to the mix. It may or may not be your cup o' tea.

We also liked the Burstbucker pickups, which is saying something because we're used to swapping out replacements immediately. The pickups emphasize the Les Paul's heavy sound, and you can easily grab some recognizable Les Paul sounds here. The Burstbuckers merged with the chambered body is a terrific combination.

For all the things we liked, there were still various changes that we wish hadn't been chosen by Gibson. That includes the locking Neutrik jack. Though Neutrik jacks are very high quality, we just didn't like not being able to pull the cord out immediately.

Even worse are the control pots (volume and tone), which are all mounted on a PCB board. In fact, all the electronics (pickups, selector switch, and jack) are coupled to this board. In some ways it's cool, but it could make the once-simple act of switching a pickup much more complicated. We'd pass on the PCB, if left to us.

Despite these niggles, we found the new Les Paul Standard to be worthy of the name. If the modifications seem a bit too much for you, then Gibson has released a model called the "Les Paul Traditional" which is simply a Les Paul Standard without the new changes. If you're more of a traditionalist, then the Les Paul Traditional might be more your speed. Regardless of your preference, there's a Les Paul for everyone in Gibson's guitar lineup. - 23806

About the Author:

If you are shopping for the absolute lowest price on a new or used Gibson Les Paul Standard, then you need to visit Ray's Guitar Shop, which offers the lowest prices on all used and new guitars. It doesn't matter if you're shopping for a Fender Stratocaster, an Epiphone Casino, or a PRS Custom 22, Ray's Guitar Shop has what you're searching for!