Acoustic Guitar Lessons DVD: Learn to Play Quickly
Imagine yourself having the skills that you desire. Focus on that and concentrate. Convince yourself that you can do it. Convince yourself that you are already on your way to reaching your first goal - because you are. Its easier to manifest your desires when you can imagine yourself already in possession of it. Keep your positive mental attitude always.
So you can barely squeeze in any time at all in a day to practice, huh? There are many of us that share the same dilemma, but by knowing what to practice in those short moments of time you can maximize your effort. For example, if you only have ten minutes in between jobs, or other things you need to do, here is a list of some of the things you can do:
Here is a simpler scenario for beginning players. Perhaps you suffer from the common complaint of not being able to change chords smoothly so you can sing that old favorite of yours without feeling like a new driver learning to drive a stick shift (go, stall, go, stall, etc.)
As weeks and months go by, your old "bad habit" will begin to weaken, it will change. It will be replaced by the new finger action you are training into the fingers. The important point to realize is that the new habit will take over, if you are doing the proper proportion of correct practice on the bad habit.
The sculptor visualizes what he/she wants to create. The act of carving away at the raw material is a form of "destructive creation". In the beginning there is only a block of marble, stone or wood. The sculptor must remove all the material that is not needed so that only the finished sculpture remains!
Segovia (the classical guitar master) wasn't well rounded - he didn't waste his time to master jazz or bluegrass for example. Yngwie Malmsteen didn't study intense jazz guitar. Most great jazz guitarists don't study classical guitar or heavy metal guitar.
Now, the challenge will be to be able to use the practice approaches that can actually change something like that. Users of "The Principles" know that this means Posing, and No Tempo practice, and the use of The Basic Practice Approach. Again, unfortunately, too often I meet readers of my book who are not really using these practice approaches. They bought the tool, but they don't use it! Those that do, see the results.
They are masters of their style, they are specialists, not a jack-of-all-trades type of player. Don't listen to people who say something like, You must learn blues before you can learn heavy metal or classical guitar.You do not have to be well rounded. - 23806
So you can barely squeeze in any time at all in a day to practice, huh? There are many of us that share the same dilemma, but by knowing what to practice in those short moments of time you can maximize your effort. For example, if you only have ten minutes in between jobs, or other things you need to do, here is a list of some of the things you can do:
Here is a simpler scenario for beginning players. Perhaps you suffer from the common complaint of not being able to change chords smoothly so you can sing that old favorite of yours without feeling like a new driver learning to drive a stick shift (go, stall, go, stall, etc.)
As weeks and months go by, your old "bad habit" will begin to weaken, it will change. It will be replaced by the new finger action you are training into the fingers. The important point to realize is that the new habit will take over, if you are doing the proper proportion of correct practice on the bad habit.
The sculptor visualizes what he/she wants to create. The act of carving away at the raw material is a form of "destructive creation". In the beginning there is only a block of marble, stone or wood. The sculptor must remove all the material that is not needed so that only the finished sculpture remains!
Segovia (the classical guitar master) wasn't well rounded - he didn't waste his time to master jazz or bluegrass for example. Yngwie Malmsteen didn't study intense jazz guitar. Most great jazz guitarists don't study classical guitar or heavy metal guitar.
Now, the challenge will be to be able to use the practice approaches that can actually change something like that. Users of "The Principles" know that this means Posing, and No Tempo practice, and the use of The Basic Practice Approach. Again, unfortunately, too often I meet readers of my book who are not really using these practice approaches. They bought the tool, but they don't use it! Those that do, see the results.
They are masters of their style, they are specialists, not a jack-of-all-trades type of player. Don't listen to people who say something like, You must learn blues before you can learn heavy metal or classical guitar.You do not have to be well rounded. - 23806
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